SNIK’s Solitude canvases: three palettes, three unique works

Three Solitude originals at GraffitiStreet revisit the same turned figure through distinct palettes: Golden Dawn, Twilight Blue and Amber Light. Each is dated 2026, described as unique, and explicitly linked by the gallery to its Urban | Equinox exhibition. Their shared format makes the colour changes unusually easy to compare without also having to account for a change in scale or support. Golden Dawn · Twilight Blue · Amber Light

Three palettes on the same figure

The composition places a figure against a dark ground, with the body turned away and the face looking back over one shoulder. Flowers and foliage rise around the head and trace the body, while gathered fabric fills much of the lower image. In the gallery photographs, the face and exposed shoulder stay largely within a restrained monochrome range. The fabric and floral accents carry the most conspicuous shifts between the three works, allowing the eye to move between a familiar portrait and a changing colour environment.

Golden Dawn brings a yellow-gold brightness to those folds. Against the dark surrounding field, the illuminated fabric forms a strong lower anchor for the face above it. Small yellow accents among the flowers reconnect the two areas. Twilight Blue cools those same relationships: blue-green fabric and pale blue botanical details create a quieter tonal continuity across the figure. Amber Light introduces a deeper copper-orange warmth, with bright folds cutting through the lower darkness and smaller warm touches appearing above the head. These comparisons describe the supplied photographs; the look of the varnished surface in a room will also depend on lighting. Golden Dawn · Twilight Blue · Amber Light

Canvas, varnish and current offers

The material specification is consistent across the three listings: stencil and spray paint on canvas with aged varnish. The gallery gives each work as 30 × 40 cm and signed by the artist. Its Artsy listing describes Twilight Blue in height-by-width order as 40 × 30 cm, which matches the upright photograph. The varnish specification matters when discussing the finish with the gallery: a photograph can establish the painted image, but it cannot reliably establish every reflection or variation in sheen. Twilight Blue on Artsy

For someone choosing among them, the practical comparison is therefore unusually focused. Size, documented technique and support are consistent, leaving the palette and the particular object as the central decisions. Each listing describes a unique work; the three names should not be treated as a numbered edition of three. On October 8, GraffitiStreet listed Golden Dawn and Twilight Blue with one available and Amber Light as sold out. All three pages displayed £1,950. That is the verified public listing price at the check, with Amber Light retaining its displayed price after selling; no separate original launch price has been established. The show association identifies their 2026 exhibition context without assigning an unsupported first-sale day.